“Avengers: Age of Ultron” trailer

The Great Lord Feige has found us worthy. And for that, may we be thankful.

Responding with lightning speed to an online leak, Marvel Studios posted the first teaser trailer for “Avengers: Age of Ultron” a week ahead of schedule.

It had been due to debut with next week’s episode of “Agents of S.H.I.E.L.D”, but the Internet had other ideas. Marvel, of course, had a sense of humour about that (via Twitter):

 

I’d call the two minutes and 17 seconds above a resounding success, but then I am a wholly biased Whedon fanboy (I even think that “Dollhouse” has it’s moments). ┬áJames Spader does creepy superbly, even with his voice run through lots of filters…

“Avengers: Age of Ultron” opens in the UK on 24 April 2015 and in the US on 1 May 2015.

Cultural Activities, for the week beginning 08/08/2011

In which many European rockers get conceptual up in this joint.

Another week, another programme of splendid cultural activities to behold.

Kicking off, we have Avantasia’s first album, “The Metal Opera” – a barmy, preposterous and utterly fantastic collection of power metal/hard rock tunes based around the tale of an accused witch (Within Temptation’s Sharon Den Adel voices this role) and her brother’s (Edguy singer and Avantasia leading light Tobias Sammet) fight to save her from the tyranny of the medieval church.

Despite that, we’re talking eminently hummable tunes, Sammet’s gift for story-telling in his lyrics and all manner of retro goodness. Think ‘early Queen in a ruck with Iron Maiden and Justin Hawkins’ German cousin on vocals’ and you get a sense of the delirious joy that Avantasia’s first album offers.

Have a listen to “Reach Out For The Light” and see what you think:

[youtube=http://www.youtube.com/watch?v=PBToEOO7np0]

Ben Affleck knocks another one out of the park...

Ben Affleck’s second film as a director cleaves a bit closer to the star vehicle ideal than his first, the excellent “Gone Baby Gone”, but shares a Boston setting, emphasis on character and a gift for staging percussive, tense set-pieces. It’s a case where I prefer the director’s cut to the theatrical version, even if that longer version does feature a Buckcherry song (no offence, fellas – it fits the scene perfectly).

I’m definitely looking forward to seeing Affleck’s next directorial effort, “Argo”, and I’m fairly excited to see what he could do with the proposed American remake of Harlan Coben’s novel, “Tell No One”, itself memorably adapted by French actor/director Guillame Canet.

Also on my cinematic, ‘to view’ list – John Landis’ 2010 re-telling of “Burke and Hare”, Edinburgh’s most enterprising 19th century purveyors of cadavers to the discerning and morally bankrupt.

I have a man-crush on Simon Pegg. No harm in admitting that on the Internets, surely?

It had, shall we say, ‘varied’ reviews online, but as I tend to view the Metacritic-type review aggregation sites as being an utter waste of time, that doesn’t really bother me. Pegg is ace, Serkis is a man-god and Isla Fisher is cuteness personified (So much so as to make Amy Adams look like Glenn Danzig, frankly).

Finally, for this week – as Mrs Fluffrick is on a major Harry Potter kick at the minute, she has directed that we will be watching “Harry Potter and The Half-Blood Price” tonight, as soon as I switch off this very computer.

Wish me luck – it’s known in my house as “The One That Fluffrick Fell Asleep Watching”.